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eine Psychologie ohne Seele."4 In this profoundly anti-metaphysical approach, he used Mach's Bei-träge zur Analyse der Empfindungen (1886) to defend his thesis that all abstract concepts as well as concrete ideas and recollections had to have a certain sensual correlate (in most cases, an audio feature, spoken words, or an optical picture, writing) to occur and to be reproduced.5 His early death from typhoid in 1889, however, tragically broke off his promising career, and his reference to Mach was left without further explication." />
pp. 105-123
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